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A beautiful 100% cotton paper similar to the old fibre based darkroom papers with a gentle warm tone.
GALERIE Prestige Gold Fibre Gloss is the perfect complement to the ever popular GALERIE Prestige Gold Fibre Silk.
A throwback to a bygone era, this traditional fibre-base photo paper is ideal for high quality black and white printing and offers an exceptional wide gamut for color, detail and tonality.
In developing GALERIE Prestige Gold Fibre Gloss, ILFORD has taken into account all the elements that make the perfect traditional photo paper, reminiscent of papers produced for the darkroom.
With no optical brighteners, and a seamless transition between contrast, shadow detail and highlight areas, this new exciting addition to the GALERIE Prestige range is sure to be a winner.
GALERIE Prestige Gold Fibre Gloss is available in sheets and rolls and is compatible with pigment based printers.
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
What is the paper base made from?
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
What is the white tone of the paper?
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
Is this paper acid free?
Acid in paper leads to earlier yellowing and the paper will also become brittle more quickly. Thus for a paper to be archival, it needs to be acid free.
Papers which are not acid free are generally best used for proofing (test printing), and shorter term purposes. That is, they are not considered to be a fine art level product, or suitable for print sales into the art or professional photography markets.
This does not, of course, mean these papers will vanish or discolour overnight - they generally still have life-spans suitable for commercial work and above or on par with e.g. typical photo chemistry papers. They are thus suitable to markets like signage, or the decor market (e.g. print sales for kiddies bedrooms, for example) - but should be avoided if you're trying to sell your work as a serious art level product.
In general, papers made from cotton are naturally acid free, which is one reason they are often favoured. Other fibres, like Kozo, are also naturally acid free. High grade wood pulp papers can also be made to be acid free, however, if the lignin/acid is removed from the pulp.
Does the paper contain chemicals in it to brighten its appearance?
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Note this form is for pre-purchase enquiries, or support enquiries if you have bought this product from us. If you have bought this product from another supplier then please contact that supplier for support.
Hand curated articles, links and downloads to help you get the best from your Ilford Galerie Gold Fibre Gloss 310gsm.
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You're welcome to call on us for help - how to, technical support, troubleshooting, general tips - for the entire lifetime of the product.
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