Made in France by Canson Infinity

Canson Infinity Baryta Prestige 340gsm

New paper from Canson Infinity - a high quality, heavy weight Baryta type gloss!

Receive up to 30% off RRP on Canson Infinity Fine Art Sheets & 17" Rolls Until 15th August 2017!
A4 25 Sheet Box (sku: PCIBP_77.52.400083831) $43.00
A3 25 Sheet Box (sku: PCIBP_77.52.400083930) $86.00
A3+ 25 Sheet Box (sku: PCIBP_77.52.400083931) $111.00
A2 25 Sheet Box (sku: PCIBP_77.52.40083932) $172.00
17in by 15m Roll (sku: PCIBP_77.52.400083936) $180.00
24in by 15m Roll (sku: PCIBP_77.52.400083954) $308.00
A2 25 Sheet Box (sku: PCIBP_77.52.400083958) $571.00
Canson Infinity Baryta Prestige 340gsm  Master Image
Canson Infinity Baryta Prestige 340gsm  Master Image Canson Infinity Baryta Prestige 340gsm  Image Canson Infinity Baryta Prestige 340gsm  Image

Description

Canson Infinity Baryta Prestige 340gsm is comprised of an acid-free alpha-cellulose and cotton white paper base with a true barium sulphate coating. It is a smooth Baryta Gloss paper which evokes the look and aesthetic feel of traditional darkroom papers. 

The paper characteristics are truly unique: providing excellent durability, outstanding black optical density (D-max), and superb image sharpness. The paper offers a good level of flatness, excellent surface homogeneity, very good cuttability, and its printed and non-printed surfaces differ only very slightly in glossiness. It offers an extraordinary wide gamut which improves colour reproduction and increases visual impact.

Canson Infinity Baryta Prestige is an innovative product for the more discerning photographer and printmaker, whether creating black and white or colour archival prints.

Construction - Fibre Based

Construction

Fibre Based

Substrate - 50% Cotton 50% Alpha Cellulose

Substrate

50% Cotton 50% Alpha Cellulose

Paper Weight - 340 gsm

Paper Weight

340 gsm

Surface Texture - Gloss

Surface Texture

Gloss

White Tone - White

White Tone

White

Optical Brighteners? - Yes

Optical Brighteners?

Specifications

Please note: Specifications are provided as a guide only.

We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

  • Construction
    Fibre Based

    Papers are constructed in two main ways:

    Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.

    Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.

  • Substrate
    50% Cotton 50% Alpha Cellulose

    What is the paper base made from?

    Possibilities include:

    • Wood Pulp - the most common and cheapest
    • Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
    • Cotton - the most common fine art paper fibre
    • Bamboo - an ecologically friendly alternative to cotton
    • Mulberry & more - many other plant fibres can be used to make archival paper
  • Paper Weight
    340 gsm

    In 'gsm' - grams per square metre.

    Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.

    Papers with a higher GSM tend to have more opacity, i.e. you see less through them.

  • Surface Texture
    Gloss

    What is the surface texture of the paper?

    We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!

    • Matte - smooth and texture
    • Gloss - semi, gloss, and high gloss
    • Double Sided - special case papers that are printable to full quality on both sides.
  • White Tone
    White

    What is the white tone of the paper?

    • Cool White - a paper with a distinctly cool (blue) tone
    • Bright White - A paper that is brighter than non brightened papers, but not overly cool
    • White - a natural clean white tone for an art paper - most Photo Rag papers fall here
    • Warm - a distinctly warmer, creamier paper
    • Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
  • Coating
    Microporous

    These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.

    In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.

  • Compatible Inks
    Pigment Inks (use photo black)
    Dye Based Inks

    What ink type (dye and/or pigments) can you use with the paper?

    Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?

  • Optical Brighteners?

    Does the paper contain chemicals in it to brighten its appearance?

    More on this here.

  • Full Specifications

Also In This Range

Canson Infinity Baryta Photographique 310gsm
Museum grade baryta photo paper with no optical brighteners.
  • ConstructionFibre Based
  • Made FromAlpha Cellulose
  • Paper Weight310gsm
  • Surface TextureSemi Gloss
  • White ToneWhite
  • Optical Brighteners?
More info