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Made in Switzerland by Ilford

Ilford Galerie Fine Art Smooth 200gsm

A warm toned, smooth matt double sided paper perfect for wedding albums and portfolios.

6 by 4in 50 Sheet Box (sku: PILFAS_2005033) $23.00
5 by 7in 50 Sheet Box (sku: PILFAS_2005034) $27.00
A4 25 Sheet Box (sku: PILFAS_2004059) $33.00
A3 25 Sheet Box (sku: PILFAS_2005024) $56.00
A3+ 25 Sheet Box (sku: PILFAS_2004060) $67.00
A2 25 Sheet Box (sku: PILFAS_2004061)
Currently on back order - ETA of mid June but subject to change based supplier delivery date. Please use 'Ask a Question' to be notified when this product is back in stock.
17in by 15m Roll (sku: PILFAS_2004062) $96.00
24in by 15m Roll (sku: PILFAS_2004063) $126.00
44in by 15m Roll (sku: PILFAS_2004064) $186.00
Ilford Galerie Fine Art Smooth 200gsm Master Image
Ilford Galerie Fine Art Smooth 200gsm Texture
Ilford Galerie Fine Art Smooth 200gsm Master Image Ilford Galerie Fine Art Smooth 200gsm Image


Ilford's new & very affordable, mid weight fine art smooth paper.

Ilford Say:

Ilford Fine Art Smooth paper offers a double-sided alpha-cellulose alternative capable of delivering stunning contrast and sharpness along with extra punch for brilliant colours and intriguing separation in black and white prints.

Created from an alpha-cellulose base with the latest advances in matt coating layer technology, Fine Art Smooth has a matt warmtone surface and is acid free, perfect for photography, fine art printing, wedding albums and portfolios.

Construction - Fibre Based


Fibre Based

Substrate - Alpha Cellulose


Alpha Cellulose

Paper Weight - 200 gsm

Paper Weight

200 gsm

Surface Texture - Matte, Smooth

Surface Texture

Matte, Smooth

White Tone - White

White Tone


Optical Brighteners? - No

Optical Brighteners?


Please note: Specifications are provided as a guide only.

We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

  • Construction
    Fibre Based

    Papers are constructed in two main ways:

    Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.

    Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.

  • Substrate
    Alpha Cellulose

    What is the paper base made from?

    Possibilities include:

    • Wood Pulp - the most common and cheapest
    • Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
    • Cotton - the most common fine art paper fibre
    • Bamboo - an ecologically friendly alternative to cotton
    • Mulberry & more - many other plant fibres can be used to make archival paper
  • Paper Weight
    200 gsm

    In 'gsm' - grams per square metre.

    Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.

    Papers with a higher GSM tend to have more opacity, i.e. you see less through them.

  • Surface Texture
    Matte, Smooth

    What is the surface texture of the paper?

    We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!

    • Matte - smooth and texture
    • Gloss - semi, gloss, and high gloss
    • Double Sided - special case papers that are printable to full quality on both sides.
  • White Tone

    What is the white tone of the paper?

    • Cool White - a paper with a distinctly cool (blue) tone
    • Bright White - A paper that is brighter than non brightened papers, but not overly cool
    • White - a natural clean white tone for an art paper - most Photo Rag papers fall here
    • Warm - a distinctly warmer, creamier paper
    • Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
  • Coating

    These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.

    In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.

  • Compatible Inks
    Pigment Inks (use matte black)
    Dye Based Inks

    What ink type (dye and/or pigments) can you use with the paper?

    Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?

  • Paper Type In Driver
  • Optical Brighteners?

    Does the paper contain chemicals in it to brighten its appearance?

    More on this here.

  • Full Specifications

Also In This Range

Ilford Galerie Fine Art Smooth Pearl 270gsm
An acid free, smooth matte paper with a slight texture and satiny sheen.
N.B. Please visit the full listing for important info on some variants.
  • ConstructionFibre Based
  • Made FromAlpha Cellulose
  • Paper Weight270gsm
  • Surface TextureMatte, Smooth
  • White ToneWhite
  • Optical Brighteners?
More info
Ilford Galerie Fine Art Textured Silk 270gsm
A warm-toned, archival matt paper with a subtle surface texture.
N.B. Please visit the full listing for important info on some variants.
  • ConstructionFibre Based
  • Made FromAlpha Cellulose
  • Paper Weight270gsm
  • Surface TextureMatte, Textured
  • White ToneWarm
  • Optical Brighteners?
More info