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A heavyweight fine art paper with the characteristic Photo Rag surface structure and a luxurious warm toned metallic shimmer.
This might be the most unique paper we offer.
It's classic Photo Rag, but with a metallic coating. In some ways it's sort of similar to metallic gloss materials like those from Ilford and Chromajet - in that the tone is a warm 'pearlescent' kind of tone - but the finished surface is unlike anything else. Whereas other metallics are all super glossy this has the surface has the fine texture of Photo Rag - whilst still having the warm shimmer of metallic materials. It's one you really have to see to understand. Definitely a special projects sort of paper, but if you find the right fit for it, it can be a truly unique way to present your vision.
Whilst they describe it as 'high gloss' below, it's not high gloss in the normal sense of the word. We describe it more accurately as a matte paper with a shimmer effect. You should use the Photo Black ink when printing this paper, though, unlike all other Photo Rag/matte fine art products.
Hahnemühle Photo Rag Metallic is a silvery-shimmering Fine Art inkjet paper with a specially formulated inkjet coating for Fine Art use.
The natural white cotton paper contains no optical brighteners and has the characteristic Photo Rag surface structure and sumptuous feel. Photo Rag Metallic features a special silvery-shimmering surface finish. The high-gloss premium inkjet coating with a unique metallic effect guarantees impressive printing results with bold colours, deep black and the perfect reproduction of colour and detail. The sophisticated silver metallic effect underscores the image and makes motifs with metallic elements, reflections, ice and glass, architecture and landscape shots, as well as black and white photographs with high-contrast tones shine. Photo Rag Metallic is acid and lignin-free and meets the most exacting requirements in terms of age resistance.
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
What is the paper base made from?
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
What is the white tone of the paper?
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
Is this paper acid free?
Acid in paper leads to earlier yellowing and the paper will also become brittle more quickly. Thus for a paper to be archival, it needs to be acid free.
Papers which are not acid free are generally best used for proofing (test printing), and shorter term purposes. That is, they are not considered to be a fine art level product, or suitable for print sales into the art or professional photography markets.
This does not, of course, mean these papers will vanish or discolour overnight - they generally still have life-spans suitable for commercial work and above or on par with e.g. typical photo chemistry papers. They are thus suitable to markets like signage, or the decor market (e.g. print sales for kiddies bedrooms, for example) - but should be avoided if you're trying to sell your work as a serious art level product.
In general, papers made from cotton are naturally acid free, which is one reason they are often favoured. Other fibres, like Kozo, are also naturally acid free. High grade wood pulp papers can also be made to be acid free, however, if the lignin/acid is removed from the pulp.
Does the paper contain chemicals in it to brighten its appearance?
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Hand curated articles, links and downloads to help you get the best from your Hahnemühle Photo Rag Metallic 340gsm.
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