A high gloss,fibre based baryta paper with an ultra smooth surface texture.
This is Hahnemühle's punchiest and glossiest fibre based 'darkroom replacement' style paper.
Really quite smooth, thanks to the Baryta in the coating , although obviously not quite as smooth as a resin coated (i.e. plastic) paper, it's gloss is pleasing and powerful, and the blacks on this paper are black-hole deep, especially offset against the clean, crisp whites (this paper does contain optical brighteners).
Perfect for high impact black and white portraiture & landscape uses - if you're looking for high contrast black and white WOW factor, this paper has it in spades.
At 350gsm, it's noticeably heavier, thicker, and more rigid than alternatives, and it has an immediate presence in the hand.
This paper also has remarkably low gloss differential - something the Canson and Ilford alternatives can't claim.
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
What is the paper base made from?
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
What is the white tone of the paper?
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
Does the paper contain chemicals in it to brighten its appearance?
Confused about something, or just want some human to human advice?
Send us a question about this product.
We answer all enquiries, and promptly too!
You're also very welcome to ring us on 03 9329 4522 if you prefer.
Hand curated articles, links and downloads to help you get the best from your Hahnemühle Baryta FB 350gsm.
Need technical support? Use the form to above send us an enquiry or if it's urgent, call us on 03 9329 4522.
At Image Science we support what we sell & we really mean that.
You're welcome to call on us for help - how to, technical support, troubleshooting, general tips - for the entire lifetime of the product.
With an unmatched track record for support over our last 13 years in the industry, you can be sure we're not just a box moving store.