Made in France by Canson Infinity

Canson Infinity PhotoSatin Premium 270gsm

A beautiful semi-gloss paper that offers excellent gamut and very high D-Max. A great choice for black & white and colour photography.

A4 25 Sheet Box (sku: PCIPS_77.70.6231009) $25.00
A3 25 Sheet Box (sku: PCIPS_77.70.6231010) $55.00
A3+ 25 Sheet Box (sku: PCIPS_77.70.6231011) $70.00
A2 25 Sheet Box (sku: PCIPS_77.70.6231012) $115.00
17in by 30m Roll (sku: PCIPS_77.70.6232003) $172.00
24in by 30m Roll (sku: PCIPS_78.70.6232005) $237.00
44in by 30m Roll (sku: PCIPS_78.70.6232007) $435.00
Canson Infinity PhotoSatin Premium 270gsm Master Image
Canson Infinity PhotoSatin Premium 270gsm Master Image {{object.title}} Image

Description

PhotoSatin Premium Resin Coated consists of an alpha cellulose acid-free art paper coated with a structured polyethylene and a microporous receiver layer. This exceptional photographic paper has been designed to comply with the highest lifespan requirements. 

The surface aesthetic of PhotoSatin Premium RC is reminiscent of the original photochemical papers traditionally associated with the Baryta market.

This paper gives softened reflections on photographs. It is a great choice for black & white and colour photography.

Construction - Resin Coated

Construction

Resin Coated

Substrate - Alpha Cellulose

Substrate

Alpha Cellulose

Paper Weight - 270 gsm

Paper Weight

270 gsm

Surface Texture - Semi Gloss

Surface Texture

Semi Gloss

White Tone - Cool White

White Tone

Cool White

Optical Brighteners? - Yes

Optical Brighteners?

Specifications

Please note: Specifications are provided as a guide only.

We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

  • Construction
    Resin Coated

    Papers are constructed in two main ways:

    Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.

    Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.

  • Substrate
    Alpha Cellulose

    What is the paper base made from?

    Possibilities include:

    • Wood Pulp - the most common and cheapest
    • Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
    • Cotton - the most common fine art paper fibre
    • Bamboo - an ecologically friendly alternative to cotton
    • Mulberry & more - many other plant fibres can be used to make archival paper
  • Paper Weight
    270 gsm

    In 'gsm' - grams per square metre.

    Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.

    Papers with a higher GSM tend to have more opacity, i.e. you see less through them.

  • Surface Texture
    Semi Gloss

    What is the surface texture of the paper?

    We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!

    • Matte - smooth and texture
    • Gloss - semi, gloss, and high gloss
    • Double Sided - special case papers that are printable to full quality on both sides.
  • White Tone
    Cool White

    What is the white tone of the paper?

    • Cool White - a paper with a distinctly cool (blue) tone
    • Bright White - A paper that is brighter than non brightened papers, but not overly cool
    • White - a natural clean white tone for an art paper - most Photo Rag papers fall here
    • Warm - a distinctly warmer, creamier paper
    • Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
  • Coating
    Microporous

    These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.

    In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.

  • Compatible Inks
    Pigment Inks (use photo black)
    Dye Based Inks

    What ink type (dye and/or pigments) can you use with the paper?

    Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?

  • Optical Brighteners?

    Does the paper contain chemicals in it to brighten its appearance?

    More on this here.

  • Full Specifications

Also In This Range

Canson Infinity PhotoGloss Premium 270gsm
Instant drying, high gloss paper that is resistant to marking, scratches and water! Offers excellent gamut and very high D-Max.
  • ConstructionResin Coated
  • Made FromAlpha Cellulose
  • Paper Weight270gsm
  • Surface TextureGloss
  • White ToneCool White
  • Optical Brighteners?
More info
Canson Infinity PhotoLustre Premium 310gsm
A classic semi-gloss photo paper great for day to day digital printing.
  • ConstructionResin Coated
  • Made FromAlpha Cellulose
  • Paper Weight310gsm
  • Surface TextureSemi Gloss
  • White ToneBright White
  • Optical Brighteners?
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