Canson Infinity Aquarelle Rag 310gsm
A roughly textured 310gsm paper with a natural warm tone- great for art reproduction work.
Made in France by Canson Infinity
Canson Infinity Aquarelle Rag 240gsm
A roughly textured 240gsm paper with a natural warm tone- great for art reproduction work.
Sample of this paper available in:
Canson Infinity Fine Art Discovery Pack
Description
Canson Infinity Aquarelle Rag is the world's number one mould made art paper, and this is the lighter 240 gsm weight, digital form of this classic.
Walk in to any art supply store in the world and you'll almost certainly see Aquarelle. It's a classic mould made art paper favoured for watercolours (being mould made it gets it's texture from the mould - giving it a regular grid like and moderate level of texture - enough to add interest but not so much as to impair fine details.
The digital version is identical to the art paper except of course for the fantastic ink receptive coating that allows this paper to be a wonderfully expressive inkjet paper.
Construction
Fibre Based
Substrate
100% Cotton
Paper Weight
240 gsm
Surface Texture
Matte, Textured
White Tone
Warm
Optical Brighteners?
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp - the most common and cheapest
- Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton - the most common fine art paper fibre
- Bamboo - an ecologically friendly alternative to cotton
- Mulberry & more - many other plant fibres can be used to make archival paper
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Paper Weight240 gsm
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte - smooth and texture
- Gloss - semi, gloss, and high gloss
- Double Sided - special case papers that are printable to full quality on both sides.
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White ToneWarm
What is the white tone of the paper?
- Cool White - a paper with a distinctly cool (blue) tone
- Bright White - A paper that is brighter than non brightened papers, but not overly cool
- White - a natural clean white tone for an art paper - most Photo Rag papers fall here
- Warm - a distinctly warmer, creamier paper
- Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based Inks
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
Does the paper contain chemicals in it to brighten its appearance?
More on this here.
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Full Specifications
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