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We're often asked about starting points to use for defining calibration targets with hardware calibration systems like NEC's SpectraView2 (SV2) or Eizo ColorNavigator (CN).
So - here are some example targets, which are the ones we use here at Image Science and have found to work well. They should be considered starting points and you should feel free to further tweak the settings to get even better results for your particular scenario. For example, if you have very warm interior lights, you will get a better screen to print match with significantly lower (i.e. warmer) whitepoints than those mentioned below.
Gamma for still imaging work should always be 2.2 (unless you're doing something very unusual) - so I won't repeat it every time.
Where 'contrast ratio - maximum' is mentioned, this means set the whitepoint to the level as advised for that target, and then the black point to minimum (CN), or the contrast ratio control to maximum contrast (SV2).
With this target you're trying to get the monitor to look it's outright best, it's not so much about accuracy for a particular paper or anything - just sheer visual punch while keeping things looking natural.
You really really should upgrade to a modern browser that supports colour management.
However, if you can't, then:
When editing content destined for standard TV viewing, you want to simulate the high brightness, high contrast approach of modern TV sets.
When editing content destined for modern UHD/4K TV sets, or mastering for cinema or higher end purposes:
- Garth H -
A quick note to say that I am extremely happy with the BenQ SW271 that arrived while I was at work today. The hints and tips in your knowledge articles really made setting up with a Mac Mini to USB C very simple, I mean < 30 seconds!
I am very happy with this monitor, I'm a bit fussy, and it has really impressed me, and I am now looking forward to working on my photos [I was struggling with the old monitor].