Colour management really works best when all stages of the process are controlled.
Colour control at the capture end - e.g. calibrating your scanner
with an IT8 target or your camera with a ColorChecker Passport.
Calibrate your monitor - ideally with the benchmark i1Display Pro monitor calibrator.
Calibrate your printer using custom profiles.
Use a proper print viewing light source so that your print perception is not skewed by your lighting.
SoLux bulbs are exquisite and generally regarded as the best print
viewing lights made, but they are not very practical in Australia as
there are no easy to use lamps available for MR16 globes. They are great
for a larger dedicated task area, such as using track lighting, or for
room lighting when using your existing downlight fixtures.
When you require lighting for smaller typical task areas, the Fiilex lamp is an easy colour accurate option. The Fiilex illuminates an area around A3 in size. This is a really simple system with a great
quality light source.
In practise there is little noticeable difference
between using the Fiilex (set to 5000K) and SoLux. We use a Fiilex to light a print table for print review - this
system is used mainly for art reproduction work which requires very high
Fiilex are standard 240V lamps. Just plug in, switch on, and be assured that you're
evaluating your prints in very good quality light. For many, this is
often the last link in their colour accurate chain - the moment the last
piece falls into place.
Your calibrated screen, will be very close to
the output of your custom profiled printer and by using a consistent
lamp, you will remove the variability of changing light from your colour
Thank you so much—the scanner profile is beautiful! My eyes immediately said yes, but my head said check the target values. For once, I should have just trusted my eyes—the values are as spot on as you can get.