Currently on back order - ETA of early October but subject to change based on supplier delivery date. Available to order now but separate shipments will incur additional shipping charges.
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Our all time favourite monitor - fully integrated with automatic direct hardware calibration using an in-built calibration sensor!
(This model has been replaced by the CG279X).
With a best in class panel and fully automatic calibration system, the Eizo CG277 nails the difficult-to-get-right balance of fantastic advanced technology AND excellent ease of use.
The Eizo CG277 includes fully integrated, automatic direct hardware calibration using an in-built calibration sensor - a feature unique to Eizo. This means you can set this monitor up once at the beginning and then, with no further user intervention, enjoy fully automatic calibration for years to come.
The panel in this monitor is absolutely excellent, and thanks to technologies like DUE and Eizo's proprietary ASIC driving the panel, the net result is a highly accurate, uniform, visually comfortable display free of distortion, flicker, and as close to the colour numbers in your files as current technology allows.
27" is, we think, the ideal size for professional work. You can fit a 1:1 double page spread on this screen and still have room for your palettes. Generous without being overwhelming.
The CG277 has a wide gamut display, which allows the monitor to display a much wider range of saturated colours than typical monitors (roughly the full gamut of AdobeRGB). Of course the screen is coated with an optical grade anti-reflection coating (no horrible glass screens here!).
Package includes everything you need - monitor, integrated high quality calibrator, hood, cables, stand.
About the ColorEdge CG277, Eizo say:
Colour accuracy and convenience to make the most of your creativity.
With 99% Adobe RGB colour space coverage, 10-bit simultaneous display, hardware calibration, the 27-inch ColorEdge CG277 delivers optimal performance to professionals in printing, photography, and post-production.
Built-In Sensor for Self-Calibration
Automate your workflow with the built-in calibration sensor which eliminates the need for a third-party calibration device and even operates in portrait mode. Using either the OSD menu or the bundled ColorNavigator software, you can schedule the monitor to self-calibrate at specific times. Even if the monitor is switched off or not connected to a computer, it will stick to its preset schedule and self-calibrate.
Reproduces 99% of the Adobe RGB Colour Space
An IPS panel with a wide colour gamut reproduces 99% of the Adobe RGB colour space so images shot in RAW can be converted to Adobe RGB or images shot in Adobe RGB will be displayed correctly. The colours seen in photos of vibrant blue skies and lush green forests will be reproduced faithfully. The wide colour gamut also ensures that the monitor reproduces almost the entire ISO-coated and US web-coated CMYK colour spaces used in printing as well as 93% of the DCI used in post-production.
Uniformity Across the Screen
Fluctuations in brightness and chromaticity on different parts of the screen are a common trait of LCD monitors. To counteract this, ColorEdge monitors are equipped with EIZO's patented digital uniformity equalizer (DUE) technology to ensure stable image display and counterbalance the influences that a fluctuating temperature may have on colour temperature and brightness for stable image display.
Correlation with External Sensors
The monitor can be correlated to the measurement results of an external calibration sensor. After correlating, the built-in sensor will automatically re-calibrate to the settings. This is convenient if the monitor is used in a work environment with other monitors and one measurement device must be used as a standard for all calibration.
Excellent Dark Tones from an Angle
When viewing the screen from an angle in a dimly lit room, dark tones typically appear washed out due to the display characteristics of LCD backlights. The ColorEdge CG277 is equipped with a film which allows tones to retain their depth even when viewed from an angle.
Non-Glare IPS Panel
The IPS (in-plane switching) panel exhibits no glare and allows several people to view the monitor with minimal colour shift.
Brightness Modulation Minimizes Flicker
To counteract the flicker that is noticeable by some users at low brightness settings, EIZO uses PWM (pulse width modulation) technology. This helps prevent eye fatigue for a more comfortable work environment.
Individually Adjusted at the Factory
The gamma level for each ColorEdge monitor is adjusted at the factory. This is accomplished by measuring the R, G, and B gamma values from 0 – 255, then using the monitor’s 16-bit look-up table (LUT) to select the most appropriate tones to achieve the desired value.
Stable Display Technology for Unrivaled ColorEdge Quality
The colour and brightness of an LCD monitor can shift due to changes in ambient temperature and the temperature of the monitor itself. ColorEdge monitors are equipped with a temperature sensor for accurately measuring the temperature inside the monitor, as well as estimating the temperature of the surrounding environment. With this temperature sensing and estimation technology, the monitor adjusts in real-time so gradations, colour, brightness, and other characteristics continue to be displayed accurately.
Start Work within Seven Minutes of Switching On
From the time it is turned on it typically takes 30 minutes or longer for a monitor’s brightness, chromaticity, and tone characteristics to stabilize. EIZO has shortened this warm-up time by more than 75% to a mere 7 minutes. Be it in a photo studio or taking your monitor with you on location, you can get to work right away.
10-Bit Simultaneous Display
Using the DisplayPort input, the monitor offers 10-bit simultaneous colour display* from a 16-bit look-up table which means it can show more than one billion colours simultaneously. This is 64 times as many colours as you get with 8-bit display which results in even smoother colour gradations and reduced Delta-E between two adjacent colours.
*A graphics board and software which support 10-bit output are also necessary for 10-bit display. Equipment that supports Deep Color is necessary with the HDMI inputs.
DisplayPort, HDMI, and DVI-D inputs are included and support resolutions up to 2560 x 1440. The HDMI input also offers direct connection with digital cameras. Two USB upstream ports allow two computers to be connected at once so it’s not necessary to reconnect the USB cable when using the ColorNavigator software and switching between the two computers.
Smooth Display of Video
For video editing or post production work, an overdrive circuit is included to reduce gray-to-gray response time to 6 ms and ensure that moving images look clean and sharp with a minimum of ghosting.
HDR Gamma Support
EIZO offers optional HLG and PQ curves for many of its current CG Series monitors. The optimized gamma curves render images to appear truer to how the human eye perceives the real world compared to SDR. These products will support the HDR workflow from shooting to colour grading.
Preset Colour Modes
A button on the front of the monitor provides quick access to several broadcast-standard colour modes reset colour modes: Rec. 709, EBU, SMPTE-C, and DCI. In addition, sRGB and Adobe RGB modes are also available.
Input Support for 4K x 2K
Accepts 4K x 2K resolutions of 4096 x 2160 and 3840 x 2160 at up to 30 frames/second via the DisplayPort input then downscales them to its native resolution of 2560 x 1440. This added functionality makes the ColorEdge CG277 a practical choice for editing when working with the increasingly popular 4K x 2K resolutions used in digital television and digital cinematography.
Film is usually shot at 24 frames/second and looks unnatural when played back on a typical monitor that displays 60 frames/second. The HDMI input supports a video signal display rate of 1080/24p frames-per-second so you can edit the film as it was meant to be viewed.
3D LUT for Accurate Colour Display
A 3D LUT is included which adjusts colours individually on an RGB cubic table. With the bundled ColorNavigator software’s emulation function, the 3D LUT applies a film look to the image so creators can check how it will be seen by their audience. The 3D LUT also improves the monitor's additive colour mixture (combination of RGB), which is a key factor in its ability to display neutral gray tones.
LED Buttons and On-Screen Button Guide
For dimly lit work environments like post production studios, the monitor comes with backlit control buttons and an on-screen button guide to indicate what each button is for.
Safe Area Marker
A safe area marker designates the area of the screen that will be displayed when the monitor is connected to a particular device. This allows you to check that subtitles and other text will be visible. This colour of the marker is changeable to ensure it remains with any imagery.
And there’s more:
Panel Size / Ratio
27" / 16:9 (1.78:1)
2560 * 1440
Direct Hardware Calibration?
In Built Sensor?
Adobe RGB: 99%
This monitor supports Direct Hardware Calibration. It includes a built-in full calibration sensor.
This is the ideal way to calibrate a monitor - it's easy, fully automatic, and can be scheduled to occur even when you're not present and your computer is switched off! Simply set it up once and enjoy accurate colour with no further intervention for years to come!
An external calibrator is not required. However, if you wish to, you can cross correlate with an external calibrator. We list recommended models here. You would only do this under special circumstances.
We recommend the i1Display Pro.i1 Display Pro
These calibrators are either simply not compatible, or do not measure current monitor technologies reliably. If you have one of these, it's time for an upgrade!
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
Monitor panel sizes are measured across the diagonal, in inches.
They are approximate only, so the actual measurement might be 27.1" for example. Note that panel size in inches is only one part of the story - the other being the aspect ratio. For example a 24" monitors doesn't sound much bigger than a 23" monitor, but 24" monitors are normally 16:10 versus most 23" monitors being 16:9. This means a 24" monitor is much taller than a 23" and the working size is much greater than one inch difference would suggest.
The panel ratio gives the relative size of the horizontal to the vertical. Older monitors were 4:3, but most modern monitors are widescreen, with 16:10 or 16:9 being the common ratios. 16:10 is distinctly taller, and common with 24 and 30 inch monitors. 23 and 27 inch monitors are normally 16:9 - the same ratio as widescreen televisions. For monitors 24 inches and below, we recommend going with a 16:10 monitor if you can. Once you're over 24 inches you've got sufficient vertical working space it doesn't matter so much.
Native resolution is simply the number of pixels a monitor has, stated as horizontal x vertical.
LCD monitors really want to receive their native resolution and look pretty terrible when scaling other resolutions to the native resolution of the panel.
Most modern computers have no trouble outputting up to 2560 by 1600 (e.g. all Mac Pros/Macbooks/Minis/Airs etc. from the last 5 years or so can do this without issue, usually to 2 or more displays simultaneously). The only time it becomes particularly important is with older machines, particularly laptops, many have a maximum external display resolution of 1920 by 1200. If in doubt send us the full model number of your laptop and we can double check this for you!
There are three major types of monitor panels. IPS (aka PLS) - are the best for image makers. They have the best colour accuracy and uniformity characteristics. The can sometimes have weaker blacks, so gamers and video editors sometimes lean towards PVA monitors. However these days good IPS panels have excellent blacks so we recommend that all image makers use an IPS panel. The latest panel type, TN, is generally only used in laptops and low end devices and should avoided for imaging work at all costs!
The two major types of backlighting are CCFL (Flourescent tube based) and LED. CCFL is the older type of light source and offers good uniformity and it has been traditionally easier to engineer colour accuate monitors with flourescent tubes. However recent LED backlit monitors can be excellent - very uniform, and of course they use much less power. The latest LED backlit monitors from the good makers now offer excellent colour accuracy - at least as good as the older CCFL models.
LEDs also uses significantly less power (although CCFL monitors are already much better than old CRTs of course!) - and tend to have better uniformity.
Whether or not the unit needs a fan for cooling. Most monitors fortunately don't need a fan, rather using passive cooling through heatsinks and vents.
However, some monitors do require a fan, which can be of concern given the monitors proximity to your ears. Generally the fan will be a low dB fan not audible above a typical computer fan, but if ambient noise is of concern to you the we suggest you choose a monitor without a cooling fan.
Calibration is the process of calibrating directly into the monitor's hardware. This is both more accurate, and typically more easy to do, than traditional software calibration. See the 'Calibration Information' section above for more details about this monitor and calibration.
In built correction sensors come in two forms:
Until around 2010, almost all monitors were 'standard gamut' - meaning they could display a moderate range of colours (roughly around the size of the sRGB colour space). In recent years we've seen the development of wide gamut monitors that can display a much wider range of saturated colours (about 25% more) - equivalent to approximately the gamut of AdobeRGB.
We recommend wide gamut monitors for all image makers, but especially for anyone working regularly with saturated colour. Wide gamut monitors can also emulate standard gamut monitors very well, so it's more future proof to choose a wide gamut model, and there really aren't any disadvantages (apart from the generally higher price of wide gamut models!).
Does the monitor accept a 10 bit incoming video signal? 10 bit video signals allow for more tonal level separation (i.e. smoother gradients).
PC: 10 bit is well supported and relatively easy to achieve with 'workstation' graphic cards (short version: buy an nvidia Quadro video card!).
Mac: 10 bit has only just become supported in 2016 - you'll need very up to date Mac hardware, and the latest versions of OSX and your apps.
Our comprehensive article on 10 bit support has all the details.
The maximum achievable ratio of the brightness of a monitor's white to the depth of it's black. The stated figure is a maximum, achieved only when the monitor is running at high brightness in a darkened room.
A high contrast ratio makes things looks more contrasty (i.e. more 'pop') and is particularly of note with gaming, video, and image display scenarios. For example, if you're selling photos to clients straight off your screen, then high contrast has more wow factor.
However, for print work, it is typical practice to dramatically reduce the monitors contrast to as low as, say, 200:1 to better simulate paper. This is best done with monitors that feature direct hardware calibration support and allow you to specify the desired contrast ratio.
The maximum achievable brightness of the monitor in candellas per metre squared.
It is VERY unusual to run a monitor at maximum brightness, especially for imaging work.
The DCI (Digital Cinema Initiative) specifications requires contrast of 1500:1 or more.
Most LCD monitors do not yet offer DCI True Blacks support (in practice 'true blacks' means a very low black point suitable for video editing in a dim environment). This doesn't mean they have bad blacks in typical viewing environments, but it does mean you may experience some 'glow' in your blacks if you're viewing in a very dim environment.
Achieving very high contrast ratios is difficult and a combination of technologies is used - changes to the panel, light retardation film and backlight are all required.
This is really only of relevance in video work - in still image work, and particualrly for print, it is common practise to actually raise the monitor's black point above the minimum to better simulate the printed output.
The wider the better! Viewing angle is the maximum angle at which a display can be viewed with acceptable visual performance.
This is a highly subjective figure and we don't place much credence in it - basically, IPS panels have the best viewing angles by far, and all IPS panels sold here all have excellent viewing angles, so you won't see variance as you move you head around under normal circumstances.
The bit depth of the gamma Look Up Table. That is, the number of levels the gamma table can contain, which is crucial to the appropriate placement of tonal levels on screen. 8 bit is standard (although some appalling screens are only 6 bit!), but 10 bit or more is desirable, and the best monitors are now 14 or 16 bit.
The bit depth of the colour Look Up Tables. These are used to map incoming values from your computer to actual colours on the monitor's screen - so are of course crucial to colour accuracy. 8 bit is standard (although some appalling screens are only 6 bit!), but 10 bit or more is desirable, and the best monitors are now 14 or 16 bit. Ideally combined with 3D LUTs that can transform colours in more than one table at once.
Put simply the higher the bit depth of the LUT, the greater the capacity for accuracy.
3D Look Up Tables allow colour transformations to occur on R,G and B simultaneously, which increases speed and accuracy. Basically, a 3D LUT means better, more accurate calibrations. You want one even if it sounds like gibberish!
LCD Monitors coming off a production line typically exhibit some uniformity issues. Uniformity corrected monitors are broken into zones, measured, and each zone calibrated to be even with its neighbours (and you often get a written report of this process with very high end monitors like the Eizo CG series). Called DUE by Eizo, and most likely something else by others, it's an important part of the process of high end LCD making.
The process occurs at the begining of the monitor's life and there is currently no user system for correcting uniformity after the monitor is out in the field, although it is theoretically possible. Fortunately, moden monitors that leave the factory in a very uniform state tend to then remain uniform for many years of use.
Monitors that are not uniformity corrected may exhibit some visible artefacts like a change in density or colour across the field of the monitor. Wtih brands like Eizo and NEC, the non uniformity tends to be minor.
How quickly a pixel can change colour, in milliseconds (usually measured as grey-to-grey, but there's no real standard).
Basically, any value 16 or under is generally fine for all normal uses. Exceptions are high end gaming and possibly video production - but it's rare anything below 10 makes a significant difference, and monitors with very low response times typically sacrifice a lot of colour quality to achieve this.
Can the monitor play back a 24p video signal (i.e. 24 frames a second) - without visible motion artefacts?
Typical desktop monitors either refuse a 24p signal altogether, or force all inputs to 60hz, remapping different frame rates like 24p to 60 frames per second (usually using a technique known as 3:2 pull-down). Unfortunately, because 60 is not evenly divisible by 24, this causes significant visible motion artefacts.
A monitor with 24p support is able to play back 24p sources at either the native 24 frames a second, or using simple frame doubling/tripling to play back these sources as 48 or 72Hz. This results in smooth motion without new artefacts (n.b. - artefacts inherent to 24p, like some juddering during slow pans, remains of course, as this is inherent in the low frame rate of the original filming - but it's this low frame rate that gives the 'film like' look.
More about 24p on Wikipedia.
The input ports a monitor has. We have a comprehensive article about these (with pictures!) - here.
Other connections the monitor offers - such as audio connectors if the monitor has speakers (most don't) - and USB hubs. Some USB hubs also act as 'KVMs' - meaning you can plug your mouse and keyboard into the monitor, then the monitor into two separate computers and easily share your peripherals and screen between the two machines.
How much power the monitor draws. Often stated only as peak power usage, the real figure in practise may be lower.
Lower is better, both for your electricity bill and the planet, but typical figures of around 100W means that your monitor uses about the same as two standard downlights, so modern monitors are really very efficient compared to the hundreds of watts those old CRT clunkers used!
If a monitor hood is not included, then there are [LINK] aftermarket hoods available.
Monitor hoods stop direct light falling on the monitor which can make, in particular, shadow details harder to perceive. While not essential, once you get used to having one it's hard to go back to a screen without one - they improve the picture generally and provide a real 'window in to your image' effect.
Most colour accurate monitors don't have in built speakers.
Those that do offer speakers usually connect via 3.5mm jack (see connections), and the speaker output is usually around the 1-2w range. Fine for basic system sounds but not great for music etc.
Can the monitor be rotated on its stand 90 degrees and used in portrait orientation? Particularly useful if you're doing portrait work on smaller screens!
If the monitor & stand support this then you just rotate the screen physically and instruct your video card to flip the image 90 degrees (if you bind this to an F key on your keyboard it can be a very simple process!).
We keep these details up to date to the best of our knowledge.
However if a particular item is of special importance to you please also check the manufacturer's listing for the product.
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Hand curated articles, links and downloads to help you get the best from your Eizo ColorEdge CG277 27" Monitor.
Need technical support? Use the form to above send us an enquiry or if it's urgent, call us on 03 9329 4522.
At Image Science we support what we sell & we really mean that.
You're welcome to call on us for help - how to, technical support, troubleshooting, general tips - for the entire lifetime of the product.
With an unmatched track record for support, for more than 15 years in this industry, you can be sure we're not just a box moving store.
EIZO monitors are backed by a manufacturer’s 5-year warranty that covers all components including the LCD panel.
EIZO can offer this because it manufacturers its products at its own factories. This allows EIZO to keep tight control over production quality and ensure that its monitors are built to last for 5 years and more.
Of course, see the Eizo warranty page for full term & conditions.