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Designed and Made in Taiwan by BenQ

BenQ SW271C 27" 4K Monitor

[IS sku: HBENQ_SW271C]
$2,499

The new and improved version of the extremely popular SW271 is a 27" 4K photo-editing monitor with excellent colour accuracy and uniformity.

Ships free to most locations! See notes.
Suggested Extras (tick the ones you want):
  • X-Rite i1Display Pro Plus
    + $379
    The industry standard professional monitor calibrator & our recommendation. Fast, accurate and reliable.
  • Eizo Screen Cleaner Kit
    + $35
    A screen cleaner specifically developed for cleaning monitors with optical grade anti-glare coating.
  • Description

    Read: our evaluation of the SW271C.


    BenQ Say:

    To relive the moment captured, the true colors have to be shown faithfully whether it’s on screen or on paper. BenQ PhotoVue Photographer Monitor SW271C offers a wide range of colors with 99% Adobe RGB and 90% DCI-P3/Display-P3 color space to deliver brilliant colors. It also supports HDR10/HLG to bring you finest details and various video formats to present the real content. Featuring the latest technology, Paper Color Sync, SW271C simulates the photo-printing results to facilitate the photo re-touching process. Keep the moment and never let it fade away.

    • AQCOLOR Technology for Accurate Reproduction
    • HDR with 24/25/30P video format support
    • USB-C to provide video/audio/data and power delivery

    The AQCOLOR Advantage
    BenQ AQCOLOR technology delivers “Accurate Reproduction.” This translates to the display of color precisely as it is intended to appear. Led by a color expert, the BenQ team took part in the ICC* and ISO** to establish color-related standards and implementation guidelines.

    Industry Standard Color Performance
    BenQ is dedicated to absolute color accuracy. PhotoVue series displays deliver industry standard color performance for photo and video editing.

    Incredible Color Space Coverage
    Whether you're designing web content in sRGB, editing 4K video in DCI-P3/Rec. 709, or photo retouch in Adobe RGB, SW271C has the color space and coverage to showcase your talent, letting your finished work look the way you wished.

    Color Precision

    The 16-bit lookup table (LUT) improves color blending for precise reproduction. Delta E ≤ 2 in Adobe RGB and sRGB color spaces assures accuracy.

    10-bit Color Depth

    Access more than one billion colors, natural shading, and smooth color gradation with SW271C.

    Color Uniformity & Consistency

    Create with confidence. Enjoy consistent color accuracy across multiple displays and throughout each panel.

    Uniformity Technology

    BenQ Uniformity Technology offers screen-wide precise color from corner to corner. This is accomplished by meticulously fine-tuning hundreds of sub-regions on the screen for balanced brightness and absolute confidence.

    Multi-Monitor Color Consistency

    Stop adjusting and start creating. Identical color levels in multi-monitor setups save times making tedious refinements and frees time for creativity.

    Hardware Calibration

    Adjust the internal image processing chip without changing the graphics card output data. Displayed images match the original content without impact from the graphic card settings.

    Palette Master Element Calibration Software

    Use Palette Master Element and a calibrator to customize color settings or maintain the display’s color at its optimal state.

    Factory Calibrated forOut-of-the-Box Color Accuracy

    SW271C is out-of-the-box color accurate. Each display arrives with its unique factory calibration report.

    Refined Video-Editing Results

    Video editing requires precise, refined tools. SW271C helps pros get the best results with HDR support and multiple video formats.

    High Dynamic Range (HDR)

    SW271C is compatible with HDR10 and HLG formats. Preview the HDR effect of video content during the editing process for your best results.

    Video Format Support

    Preview video without pulldown or distortion. SW271C supports 24P/25P/30P film content shown at native cadence for seamless display.

    Select SDI to HDMI Device Compatibility

    BenQ has tested select SDI to HDMI devices as compatible with SW271C. Videographers can thus connect their SDI devices to the monitor for stable and non-compressed signal transmission and real quality video image.

    Third Party Video Calibration Software Supported

    SW271C supports world-leading video calibration software, Calman and LightSpace. Adjust your display’s 3D LUT (Lookup Table) for accuracy and consistency at all levels.

    Focus on Efficiency

    Eliminate the stress of the guess. From capturing the image, to the retouching process, to the final print, every step is critical. SW271C is uniquely equipped to deliver a streamlined, smooth retouching-to-printing process. Refined, simulated previews let you rest assured that what you see is what you print.

    Screen-to-Print Consistency

    SW271C’s screen-to-print consistency empowers easy, accurate photo preview before you print. Paper Color Sync, a BenQ proprietary software, generates simulated images attuned to the color settings, printer, and photo paper in use. You’ll enjoy on-screen display with nearly identical properties to printed hardcopies.

    USB-C port

    The latest USB-C port provides high-speed Video/Audio/Data transmission and 60W power delivery with a single cable.

    Hotkey Puck G2

    Access preferred color modes and features using preset shortcuts with the Gen 2 Hotkey Puck.

    Advanced Black & White Mode

    Preview color photos in any of three preset black and white settings before editing.

    GamutDuo Mode

    Preview the same image in two color gamuts, side-by-side, for comparison.

    Shading Hood
    The detachable shading hood effectively reduces screen glare from ambient lighting. Block external light for stellar color accuracy.

    CalMAN Certified
    In 2018, the SW271 display was granted a Verified by CalMAN mark, making BenQ one of the world's first manufacturers to achieve Certified Colour Critical by Calman for absolute colour accuracy.
    In close collaboration between BenQ and Portrait Displays, the Verified by CalMAN program ensures each display to be accurate out of the box and true to multiple industry-standard colour gamuts. The Verified by CalMAN mark is only given to the highest-grade of displays.

    More information on the Verified by CalMAN program here.

    Pantone Certified
    As of 2019, BenQ announced that it's SW series of monitors became the world’s first stand-alone displays to earn the Pantone Validated status, ensuring colour-matched inter-operability with a plethora of production-grade colour output devices qualified by Pantone. Pantone Validated provides designers and photographers confidence in the Pantone colours rendered on-screen throughout their creative process, to better align materials in Pantone colours or simulations using Pantone-licensed output solutions.

    Rigorously evaluated and approved by Pantone colour experts, BenQ SW monitors offer integrated colour correction and BenQ-exclusive AQCOLOR technology to guarantee superior fidelity in colour accuracy, including tested quality in achieving Pantone Matching System (PMS) colours. In use by virtually every colour-critical industry and manufacturer worldwide, the PMS system is a universal language of colour that allows creative professionals to specify and match specific colours, regardless of the equipment and materials used to produce the exact colour.

    You can read more information on BenQ becoming Pantone Verified here.

    * International Color Consortium

    **International Organization of Standardization

    Panel Size / Ratio - 27" / 16:9 (1.78:1)

    Panel Size / Ratio

    27" / 16:9 (1.78:1)

    Native Resolution - 3840 * 2160 (UHD 4K)

    Native Resolution

    3840 * 2160 (UHD 4K)

    Panel Technology - IPS

    Panel Technology

    IPS

    Supports Direct Hardware Calibration? - Yes

    Supports
    Direct Hardware Calibration?

    In Built Sensor? - No

    In Built Sensor?

    Gamut - Wide<br>100% sRGB,90% P3,99% AdobeRGB

    Gamut

    Wide
    100% sRGB,90% P3,99% AdobeRGB

    Calibration Information

    This monitor supports Direct Hardware Calibration and comes with a license for a full version of BenQ's Palette Master Elements software to achieve this.

    However a calibration sensor is not included, and needs to be purchased to take advantage of this system.

    Extra notes:

    • N.B. There are some caveats to older Spyders and Macs - from 10.15 on you need a Spyder 5 or above.

    Compatible Calibrators

    We recommend the i1Display Pro / Pro Plus.

    i1 Display Pro Plus
    i1 Display Pro
    i1 Pro (any version)
    i1 Studio
    ColorMunki Photo/Design
    Spyder X (any version)
    Spyder 5 (any version)
    Incompatible / Not Recommended Calibrators

    These calibrators are either simply not compatible, or do not measure current monitor technologies reliably. If you have one of these, it's time for an upgrade!

    i1 Display V1 & V2
    i1 Display Studio
    ColorMunki Display
    Spyder 4 (any version)
    Spyder 1, 2 and 3 (any version)

    Specifications

    Please note: Specifications are provided as a guide only.

    We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

    To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

    • Panel Size
      27"

      Monitor panel sizes are measured across the diagonal, in inches.

      They are approximate only, so the actual measurement might be 27.1" for example. Note that panel size in inches is only one part of the story - the other being the aspect ratio. For example a 24" monitors doesn't sound much bigger than a 23" monitor, but 24" monitors are normally 16:10 versus most 23" monitors being 16:9. This means a 24" monitor is much taller than a 23" and the working size is much greater than one inch difference would suggest.

    • Panel Ratio
      16:9 (1.78:1)

      The panel ratio gives the relative size of the horizontal to the vertical. Older monitors were 4:3, but most modern monitors are widescreen, with 16:10 or 16:9 being the common ratios. 16:10 is distinctly taller, and common with 24 and 30 inch monitors. 23 and 27 inch monitors are normally 16:9 - the same ratio as widescreen televisions. For monitors 24 inches and below, we recommend going with a 16:10 monitor if you can. Once you're over 24 inches you've got sufficient vertical working space it doesn't matter so much.

    • Native Resolution
      3840 * 2160 (UHD 4K)

      Native resolution is simply the number of pixels a monitor has, stated as horizontal x vertical.

      LCD monitors really want to receive their native resolution and look pretty terrible when scaling other resolutions to the native resolution of the panel.

      Most modern computers have no trouble outputting up to 2560 by 1600 (e.g. all Mac Pros/Macbooks/Minis/Airs etc. from the last 5 years or so can do this without issue, usually to 2 or more displays simultaneously). The only time it becomes particularly important is with older machines, particularly laptops, many have a maximum external display resolution of 1920 by 1200. If in doubt send us the full model number of your laptop and we can double check this for you!

    • Panel Technology
      IPS

      There are three major types of monitor panels. IPS (aka PLS) - are the best for image makers. They have the best colour accuracy and uniformity characteristics. The can sometimes have weaker blacks, so gamers and video editors sometimes lean towards PVA monitors. However these days good IPS panels have excellent blacks so we recommend that all image makers use an IPS panel. The latest panel type, TN, is generally only used in laptops and low end devices and should avoided for imaging work at all costs!

    • Backlight Technology
      LED

      The two major types of backlighting are CCFL (Flourescent tube based) and LED. CCFL is the older type of light source and offers good uniformity and it has been traditionally easier to engineer colour accuate monitors with flourescent tubes. However recent LED backlit monitors can be excellent - very uniform, and of course they use much less power. The latest LED backlit monitors from the good makers now offer excellent colour accuracy - at least as good as the older CCFL models.

      LEDs also uses significantly less power (although CCFL monitors are already much better than old CRTs of course!) - and tend to have better uniformity.

    • Cooling Fan?

      Whether or not the unit needs a fan for cooling. Most monitors fortunately don't need a fan, rather using passive cooling through heatsinks and vents.

      However, some monitors do require a fan, which can be of concern given the monitors proximity to your ears. Generally the fan will be a low dB fan not audible above a typical computer fan, but if ambient noise is of concern to you the we suggest you choose a monitor without a cooling fan.

    • Direct Hardware Calibration Support?

      Direct Hardware Calibration is the process of calibrating directly into the monitor's hardware. This is both more accurate, and typically more easy to do, than traditional software calibration. See the 'Calibration Information' section above for more details about this monitor and calibration.

    • In Built Sensor?

      In built correction sensors come in two forms:

      • Full Calibration Sensors - behave just list external calibration sensors and can build full colour profiles for your monitor. These are designed to allow for fully automatic regular calibation with no user intervention.
      • Correction Sensors - these can not make colour profiles, so you will still need access to a compatible external sensor about twice a year, but the correction sensor is used to keep the monitor as close to the profile as possible inbetween calibrations.
    • Gamut
      Wide
      100% sRGB,90% P3,99% AdobeRGB

      Until around 2010, almost all monitors were 'standard gamut' - meaning they could display a moderate range of colours (roughly around the size of the sRGB colour space). In recent years we've seen the development of wide gamut monitors that can display a much wider range of saturated colours (about 25% more) - equivalent to approximately the gamut of AdobeRGB.

      We recommend wide gamut monitors for all image makers, but especially for anyone working regularly with saturated colour. Wide gamut monitors can also emulate standard gamut monitors very well, so it's more future proof to choose a wide gamut model, and there really aren't any disadvantages (apart from the generally higher price of wide gamut models!).

    • 10 Bit Input Support?

      Does the monitor accept a 10 bit incoming video signal? 10 bit video signals allow for more tonal level separation (i.e. smoother gradients).

      PC: 10 bit is well supported and relatively easy to achieve with 'workstation' graphic cards (short version: buy an nvidia Quadro video card!).

      Mac: 10 bit has only just become supported in 2016 - you'll need very up to date Mac hardware, and the latest versions of OSX and your apps.

      Our comprehensive article on 10 bit support has all the details.

    • Contrast Ratio
      1000:1

      The maximum achievable ratio of the brightness of a monitor's white to the depth of it's black. The stated figure is a maximum, achieved only when the monitor is running at high brightness in a darkened room.

      A high contrast ratio makes things looks more contrasty (i.e. more 'pop') and is particularly of note with gaming, video, and image display scenarios. For example, if you're selling photos to clients straight off your screen, then high contrast has more wow factor.

      However, for print work, it is typical practice to dramatically reduce the monitors contrast to as low as, say, 200:1 to better simulate paper. This is best done with monitors that feature direct hardware calibration support and allow you to specify the desired contrast ratio.

    • Maximum Brightness
      300 cd/m2

      The maximum achievable brightness of the monitor in candellas per metre squared.

      It is VERY unusual to run a monitor at maximum brightness, especially for imaging work.

    • DCI True Blacks?

      The DCI (Digital Cinema Initiative) specifications requires contrast of 1500:1 or more.

      Most LCD monitors do not yet offer DCI True Blacks support (in practice 'true blacks' means a very low black point suitable for video editing in a dim environment). This doesn't mean they have bad blacks in typical viewing environments, but it does mean you may experience some 'glow' in your blacks if you're viewing in a very dim environment.

      Achieving very high contrast ratios is difficult and a combination of technologies is used - changes to the panel, light retardation film and backlight are all required.

      This is really only of relevance in video work - in still image work, and particualrly for print, it is common practise to actually raise the monitor's black point above the minimum to better simulate the printed output.

    • Viewing Angles
      178 Degrees

      The wider the better! But as usual, on paper specifications tell you just about nothing about the actual performance.

      Viewing angle is the maximum angle at which a display can be viewed with 'acceptable visual performance'. In the context of this specification, all that means is that the 'contrast ratio remains above 10:1' (which is laughably low). This is really a meaningless specification with regards to the colour accuracy of a monitor when viewed off angle.

      Thus, we don't place any credence in the manufacturer stated numbers. Simply though, IPS panels have the best viewing angles by far, and all IPS panels sold here all have (relative to low quality monitors) excellent viewing angles for this type of monitor, so you won't see significant variance as you move you head around under normal circumstances (movements of 15 or so degrees, say). In general you and a colleague could sit side by side (closely) and work acceptably together on an image. Beyond that, though, like all LCD monitors, accurate display will drop off very quickly once you move off angle. That is simply a fact of life with LCDs, even the best ones.

      Ironically, monitors with lower black points tend to be slightly worse in this area (e.g. the CGX range from Eizo) - as often part of achieving the low blacks is the use of a polarising film over the panel. As anyone who has ever used a polarising filter with a camera knows, the effect of such a filter is highly directional. Thus as you move off axis, you will therefore see change more quickly.

    • Gamma LUT Bit Depth
      16 Bit

      The bit depth of the gamma Look Up Table. That is, the number of levels the gamma table can contain, which is crucial to the appropriate placement of tonal levels on screen. 8 bit is standard (although some appalling screens are only 6 bit!), but 10 bit or more is desirable, and the best monitors are now 14 or 16 bit.

    • Colour LUT Bit Depth
      16 Bit

      The bit depth of the colour Look Up Tables. These are used to map incoming values from your computer to actual colours on the monitor's screen - so are of course crucial to colour accuracy. 8 bit is standard (although some appalling screens are only 6 bit!), but 10 bit or more is desirable, and the best monitors are now 14 or 16 bit. Ideally combined with 3D LUTs that can transform colours in more than one table at once.

      Put simply the higher the bit depth of the LUT, the greater the capacity for accuracy.

    • 3D LUT?

      3D Look Up Tables allow colour transformations to occur on R,G and B simultaneously, which increases speed and accuracy. Basically, a 3D LUT means better, more accurate calibrations. You want one even if it sounds like gibberish!

    • Uniformity Corrected?

      LCD Monitors coming off a production line typically exhibit some uniformity issues. Uniformity corrected monitors are broken into zones, measured, and each zone calibrated to be even with its neighbours (and you often get a written report of this process with very high end monitors like the Eizo CG series). Called DUE by Eizo, and most likely something else by others, it's an important part of the process of high end LCD making.

      The process occurs at the begining of the monitor's life and there is currently no user system for correcting uniformity after the monitor is out in the field, although it is theoretically possible. Fortunately, moden monitors that leave the factory in a very uniform state tend to then remain uniform for many years of use.

      Monitors that are not uniformity corrected may exhibit some visible artefacts like a change in density or colour across the field of the monitor. Wtih brands like Eizo and NEC, the non uniformity tends to be minor.

    • Response Time
      Grey to Grey 5ms

      How quickly a pixel can change colour, in milliseconds (usually measured as grey-to-grey, but there's no real standard).

      Basically, any value 16 or under is generally fine for all normal uses. Exceptions are high end gaming and possibly video production - but it's rare anything below 10 makes a significant difference, and monitors with very low response times typically sacrifice a lot of colour quality to achieve this.

    • 24p Smooth Playback Support?

      Can the monitor play back a 24p video signal (i.e. 24 frames a second) - without visible motion artefacts?

      Typical desktop monitors either refuse a 24p signal altogether, or force all inputs to 60hz, remapping different frame rates like 24p to 60 frames per second (usually using a technique known as 3:2 pull-down). Unfortunately, because 60 is not evenly divisible by 24, this causes significant visible motion artefacts.

      A monitor with 24p support is able to play back 24p sources at either the native 24 frames a second, or using simple frame doubling/tripling to play back these sources as 48 or 72Hz. This results in smooth motion without new artefacts (n.b. - artefacts inherent to 24p, like some juddering during slow pans, remains of course, as this is inherent in the low frame rate of the original filming - but it's this low frame rate that gives the 'film like' look.

      More about 24p on Wikipedia.

    • Video Inputs
      1 x USB-C
      2 x HDMI
      1 x DisplayPort

      The input ports a monitor has. We have a comprehensive article about these (with pictures!) - here.

    • Other Connections
      USB 3.1 (1 up, 2 down)

      Other connections the monitor offers - such as audio connectors if the monitor has speakers (most don't) - and USB hubs. Some USB hubs also act as 'KVMs' - meaning you can plug your mouse and keyboard into the monitor, then the monitor into two separate computers and easily share your peripherals and screen between the two machines.

    • Power Consumption
      160w (Max),
      37w (Typical),
      0.5w (Standby)

      How much power the monitor draws. Often stated only as peak power usage, the real figure in practise may be lower.

      Lower is better, both for your electricity bill and the planet, but typical figures of around 100W means that your monitor uses about the same as two standard downlights, so modern monitors are really very efficient compared to the hundreds of watts those old CRT clunkers used!

    • Hood Included?

      If a monitor hood is not included, then there are [LINK] aftermarket hoods available.

      Monitor hoods stop direct light falling on the monitor which can make, in particular, shadow details harder to perceive. While not essential, once you get used to having one it's hard to go back to a screen without one - they improve the picture generally and provide a real 'window in to your image' effect.

    • In Built Speakers?

      Most colour accurate monitors don't have in built speakers.

      Those that do offer speakers usually connect via 3.5mm jack (see connections), and the speaker output is usually around the 1-2w range. Fine for basic system sounds but not great for music etc.

    • Supports 90 Degree Pivot?

      Can the monitor be rotated on its stand 90 degrees and used in portrait orientation? Particularly useful if you're doing portrait work on smaller screens!

      If the monitor & stand support this then you just rotate the screen physically and instruct your video card to flip the image 90 degrees (if you bind this to an F key on your keyboard it can be a very simple process!).

    • Dimensions
      Highest: 61.8cm (H) 64.7cm (W) 28.5cm (D)
      Lowest: 50.3cm (H) 64.7cm (W) 28.5cm (D)

    In The Box

    Please Note:
    We keep these details up to date to the best of our knowledge.

    However if a particular item is of special importance to you please also check the manufacturer's listing for the product.

    You will get:

    • BenQ SW271C 27 Inch Monitor
    • BenQ 27 Inch Monitor Hood
    • Australian Power Cord
    • Hotkey Puck Gen 2
    • USB-C Cable
    • USB 3.1 Cable
    • HDMI Cable
    • Mini Display Port to Display Port Cable
    • Palette Master Elements license (software must be downloaded)
    • Quick Start Guide
    • Individual Calibration Report

    Accessories

    Selected by Image Science, tested as compatible.

    X-Rite i1Display Pro Plus
    The i1Display Pro Plus contains all the features of the i1Display Pro with additional features for profiling very high contrast displays.
    WHILE STOCKS LAST - Best ever pricing on simply the best monitor calibrator!
    $379 RRP $549   (Save $170!)
    More info
    Eizo Screen Cleaner Kit
    Keep your screen free from dust and fingerprints with this screen cleaner kit.
    $35
    More info

    Videos

    Videos from around the internet about the BenQ SW271C 27" 4K Monitor.

    Note we don't produce these so we can't be responsible for the content, but we've tried hard to find useful videos about the product to help you decide if it's right for you and/or how to use it!


    Comparison of the BenQ SW271 vs the new SW271C


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    • Panel Size / Ratio32" / 16:9 (1.78:1)
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    • Panel TechnologyIPS
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    • In Built Sensor?
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    • Panel Size / Ratio27" / 16:9 (1.78:1)
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    • In Built Sensor?
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