Red River Aurora White Fine Art Cards 285gsm
A heavier weight, 100% cotton fine art version of our other Red River cards, with the more traditional rag matte surface texture.
Description
Red River Aurora White and Natural are our recommended replacement for the well-missed Museo Artist Cards, which are unfortunately no longer being imported into Australia. This heavyweight, 100% cotton fine art card stock imbues your prints with a classic, high quality feel perfectly suited for illustrative works, and all types of art reproduction. This is a perfect choice for those looking for the fine art look and feel.
The Aurora surface structure is comparable to traditional rag matte fine art papers, smooth and velvety to the touch with a slight texture much like the classic Hahnemühle Photo Rag. Aurora White also has a similar white tone to the Hahnemühle Photo Rag, due to a minimal amount of added optical brightening agents. This card is acid free and ISO 9706 and ANSI Z 39.48-1992 certified (Permanence of Paper for Printed Library Materials).
Aurora is coated on both sides of the paper, making it suitable for double-sided printing. Due to it's thickness, we recommend purchasing our Red River Card Sample pack to check its compatibility with your home printer. You can also check the list of compatible printers with Aurora on the Red River Papers website.
Red River cards come pre-scored for an effortless fold.
(N.B. Accessories are only available in 100 packs).
Dimensions:
- Size Unfolded: 178 x 254mm (7"x10")
- Size Folded: 127 x 178mm (5"x7")
- Matching Envelopes: 132 x185mm
- Matching Clearbags: 151 x 197mm (5.94" x 7.75" - our Large size)
(generous fit for a single card/envelope, designed to also fit sets)
Images on cards: "Forest" by Laurie Excell and "Canyon" by Shelly Katz
Construction
Fibre Based
Substrate
100% Cotton
Paper Weight
285 gsm
Surface Texture
Matte, Smooth
White Tone
White
Optical Brighteners?
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp - the most common and cheapest
- Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton - the most common fine art paper fibre
- Bamboo - an ecologically friendly alternative to cotton
- Mulberry & more - many other plant fibres can be used to make archival paper
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Paper Weight285 gsm
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Smooth
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte - smooth and texture
- Gloss - semi, gloss, and high gloss
- Double Sided - special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White - a paper with a distinctly cool (blue) tone
- Bright White - A paper that is brighter than non brightened papers, but not overly cool
- White - a natural clean white tone for an art paper - most Photo Rag papers fall here
- Warm - a distinctly warmer, creamier paper
- Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based Inks
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Paper Type In DriverSee this article
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Optical Brighteners?
Does the paper contain chemicals in it to brighten its appearance?
More on this here.
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Note this form is for pre-purchase enquiries, or support enquiries if you have bought this product from us. If you have bought this product from another supplier then please contact that supplier for support.
