Please read our latest COVID info. (Open for click and collect/mail order only). Lockdown rules apply again.

Made in Switzerland by Ilford

Ilford Galerie Lustre Photo Duo 330gsm

A heavier weight, duo sided media with a semi-gloss lustre finish - perfect for photobooks and personal photo albums.

Sample of this paper available in: Ilford Galerie Gloss Inkjet Paper Sample Pack
6 by 4in 50 Sheet Box (sku: PILLPD_2002815IL)
Currently on back order - ETA of late October but subject to change based on supplier delivery date. Available to order now but do not order with other items or those will also be delayed.
5 by 7in 50 Sheet Box (sku: PILLPD_2002816) $27.00
A4 25 Sheet Box (sku: PILLPD_2002817IL) $30.00
A4 50 Sheet Box (sku: PILLPD_2002818IL) $59.00
A4 100 Sheet Box (sku: PILLPD_2002819IL) $96.00
A3 25 Sheet Box (sku: PILLPD_2002820) $67.00
A3+ 25 Sheet Box (sku: PILLPD_2002821) $74.00
A3+ 50 Sheet Box (sku: PILLPD_2002822) $126.00
A2 25 Sheet Box (sku: PILLPD_2002823IL) $126.00
A2 50 Sheet Box (sku: PILLPD_2002824IL) $200.00
Ilford Galerie Lustre Photo Duo 330gsm Master Image
Ilford Galerie Lustre Photo Duo 330gsm Texture
Ilford Galerie Lustre Photo Duo 330gsm Master Image Ilford Galerie Lustre Photo Duo 330gsm Image


Looking for your own magazine style, double sided paper? This it it!

Cool toned, semi gloss (great at hiding handling marks!) - and with Ilford's usual excellent print quality, this is a great new double sided option for those looking for that commercial edge from their paper. Thicker than some, it's nice a robust and will stand up to the rigours of project and commercial work.

Ilford Say:

The Ilford Lustre Photo Duo is a double sided, instant dry resin coated media which boasts superb photographic image quality and consistency.

Perfect for rendered colours, outstanding details and extreme resistance to dirt and fingerprints, this paper is printable on both sides and offers particularly creative options for personal albums and photo books, professional portfolios and high quality booklets.

With neutral, bright white colouring it gives optimum contrast, high maximum densities and deep, rich blacks. It offers considerably superior flatness compared to conventional double-sided papers on the market and possesses high opacity and stiffness.

(Important - note this paper is not acid free so we only recommend it for proof printing).

Construction - Resin Coated


Resin Coated

Substrate - Alpha Cellulose<br>(<u>not</u> acid free)


Alpha Cellulose
(not acid free)

Paper Weight - 330 gsm

Paper Weight

330 gsm

Surface Texture - Semi Gloss

Surface Texture

Semi Gloss

White Tone - Bright White

White Tone

Bright White

Optical Brighteners? - Yes

Optical Brighteners?


Please note: Specifications are provided as a guide only.

We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

  • Construction
    Resin Coated

    Papers are constructed in two main ways:

    Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.

    Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.

  • Substrate
    Alpha Cellulose

    What is the paper base made from?

    Possibilities include:

    • Wood Pulp - the most common and cheapest
    • Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
    • Cotton - the most common fine art paper fibre
    • Bamboo - an ecologically friendly alternative to cotton
    • Mulberry & more - many other plant fibres can be used to make archival paper
  • Coating

    These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.

    In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.

  • Paper Weight
    330 gsm

    In 'gsm' - grams per square metre.

    Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.

    Papers with a higher GSM tend to have more opacity, i.e. you see less through them.

  • Surface Texture
    Semi Gloss

    What is the surface texture of the paper?

    We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!

    • Matte - smooth and texture
    • Gloss - semi, gloss, and high gloss
    • Double Sided - special case papers that are printable to full quality on both sides.
  • White Tone
    Bright White

    What is the white tone of the paper?

    • Cool White - a paper with a distinctly cool (blue) tone
    • Bright White - A paper that is brighter than non brightened papers, but not overly cool
    • White - a natural clean white tone for an art paper - most Photo Rag papers fall here
    • Warm - a distinctly warmer, creamier paper
    • Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
  • Compatible Inks
    Pigment Inks (use photo black)
    Dye Based Inks

    What ink type (dye and/or pigments) can you use with the paper?

    Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?

  • Acid Free?

    Is this paper acid free?

    Acid in paper leads to earlier yellowing and the paper will also become brittle more quickly. Thus for a paper to be archival, it needs to be acid free.

    Papers which are not acid free are generally best used for proofing (test printing), and shorter term purposes. That is, they are not considered to be a fine art level product, or suitable for print sales into the art or professional photography markets.

    This does not, of course, mean these papers will vanish or discolour overnight - they generally still have life-spans suitable for commercial work and above or on par with e.g. typical photo chemistry papers. They are thus suitable to markets like signage, or the decor market (e.g. print sales for kiddies bedrooms, for example) - but should be avoided if you're trying to sell your work as a serious art level product.

    In general, papers made from cotton are naturally acid free, which is one reason they are often favoured. Other fibres, like Kozo, are also naturally acid free. High grade wood pulp papers can also be made to be acid free, however, if the lignin/acid is removed from the pulp.

  • Optical Brighteners?

    Does the paper contain chemicals in it to brighten its appearance?

    More on this here.

  • Full Specifications
  • Paper Type To Use In Driver

Also In This Range

llford Galerie Semigloss Duo 250gsm
A double sided semigloss duo paper from Ilford - perfect for creating magazine style photo books and albums.
  • ConstructionResin Coated
  • Made FromAlpha Cellulose
  • Paper Weight250gsm
  • Surface TextureSemi Gloss
  • White ToneWhite
  • Acid Free?
  • Optical Brighteners?
More info