Made in Germany by Hahnemühle

Hahnemühle Monet Canvas 410gsm

Without doubt, our favourite canvas - 400 GSM, 100% cotton, exquisite print quality, and stretches beautifully.

Monet Canvas has been discontinued and is no longer available.
We recommend you look at Hahnemühle Daguerre Canvas 400gsm as an alternative.
Sample of this paper available in: Hahnemühle Textured Matte Inkjet Sample Pack
A3 25 Sheet Box (sku: PHCM_10 641 680) $99.00
Hahnemühle Monet Canvas 410gsm Master Image
Hahnemühle Monet Canvas 410gsm Master Image {{object.title}} Image

Description

Hahnemühle Monet Canvas is 410 GSM and 100% cotton, and stretches very well. It is completely acid and optical brightener free, for truly archival results. You can stretch this canvas just as with normal canvas. The coating is matte, but you can varnish with classic gel mediums if e.g. you desire brush stroke or smooth varnish effects. Hahnemühle Canvas is quite robust, standing up to regular handling and cleaning.

The surface is a lightly toothed surface that is distinctly canvas yet can hold very fine detail - second to none in fact. The results on this canvas remain extremely photographic in quality - although the canvas is equally at home in the graphic/illustrative market, and works well for a lot of art reproduction work too.

It's our personal favourite canvas - good to work with and fantastic, versatile print quality.

Construction - Fibre Based

Construction

Fibre Based

Substrate - 100% Cotton

Substrate

100% Cotton

Paper Weight - 410 gsm

Paper Weight

410 gsm

Surface Texture - Canvas

Surface Texture

Canvas

White Tone - White

White Tone

White

Optical Brighteners? - No

Optical Brighteners?

Specifications

Please note: Specifications are provided as a guide only.

We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.

To get more information about a particular specification, use the arrow to get a 'Specxplanation'.

  • Construction
    Fibre Based

    Papers are constructed in two main ways:

    Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.

    Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.

  • Substrate
    100% Cotton

    What is the paper base made from?

    Possibilities include:

    • Wood Pulp - the most common and cheapest
    • Alpha Cellulose - the best part of wood pulp, separated. Generally tested as archival as cotton etc
    • Cotton - the most common fine art paper fibre
    • Bamboo - an ecologically friendly alternative to cotton
    • Mulberry & more - many other plant fibres can be used to make archival paper
  • Paper Weight
    410 gsm

    In 'gsm' - grams per square metre.

    Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.

    Papers with a higher GSM tend to have more opacity, i.e. you see less through them.

  • Surface Texture
    Canvas

    What is the surface texture of the paper?

    We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!

    • Matte - smooth and texture
    • Gloss - semi, gloss, and high gloss
    • Double Sided - special case papers that are printable to full quality on both sides.
  • White Tone
    White

    What is the white tone of the paper?

    • Cool White - a paper with a distinctly cool (blue) tone
    • Bright White - A paper that is brighter than non brightened papers, but not overly cool
    • White - a natural clean white tone for an art paper - most Photo Rag papers fall here
    • Warm - a distinctly warmer, creamier paper
    • Pearlescent - a distinct warm grey tone (generally found only with metallic papers)
  • Coating
    Microporous

    These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.

    In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.

  • Compatible Inks
    Pigment Inks (use matte black)
    Dye Based Inks

    What ink type (dye and/or pigments) can you use with the paper?

    Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?

  • Optical Brighteners?

    Does the paper contain chemicals in it to brighten its appearance?

    More on this here.

  • Full Specifications

Also In This Range

Hahnemühle Daguerre Canvas 400gsm
A heavyweight, finely woven matte canvas with a bright white point.
  • ConstructionFibre Based
  • Made FromCotton Polyester Blend
  • Paper Weight400gsm
  • Surface TextureCanvas
  • White ToneBright White
  • Optical Brighteners?
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Hahnemühle Goya Canvas 340gsm
A high quality, archival canvas with no optical brighteners and a satin finish.
  • ConstructionFibre Based
  • Made FromCotton Polyester Blend
  • Paper Weight340gsm
  • Surface TextureCanvas
  • White ToneWhite
  • Optical Brighteners?
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Hahnemühle Leonardo Canvas 390gsm
Premium white, poly-cotton canvas with a high gloss coating.
  • ConstructionFibre Based
  • Made FromCotton Polyester Blend
  • Paper Weight390gsm
  • Surface TextureCanvas
  • White ToneBright White
  • Optical Brighteners?
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