Hahnemühle Monet Canvas is 410 GSM and 100% cotton, and stretches very well. It is completely acid and optical brightener free, for truly archival results. You can stretch this canvas just as with normal canvas. The coating is matte, but you can varnish with classic gel mediums if e.g. you desire brush stroke or smooth varnish effects. Hahnemühle Canvas is quite robust, standing up to regular handling and cleaning.
The surface is a lightly toothed surface that is distinctly canvas yet can hold very fine detail - second to none in fact. The results on this canvas remain extremely photographic in quality - although the canvas is equally at home in the graphic/illustrative market, and works well for a lot of art reproduction work too.
It's our personal favourite canvas - good to work with and fantastic, versatile print quality.
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a 'Specxplanation'.
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it's hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
What is the paper base made from?
In 'gsm' - grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
What is the white tone of the paper?
These days almost all papers are microporous coated - meaning they'll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating - designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
What ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
Does the paper contain chemicals in it to brighten its appearance?
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Hand curated articles, links and downloads to help you get the best from your Hahnemühle Monet Canvas 410gsm.
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